However, the more durable vision of paradise for Connie proves to be Piedade, a goddess-like figure whom Connie describes to the Convent women as existing in her past. Mary Magna teaches Connie that the spirit endures beyond the end of the body, and that paradise is to be found in the heaven of Catholicism after the death of the body. Though the Convent is a kind of last resort, and though the women are usually in the midst of suffering, the Convent under Connie's direction becomes a kind of paradise for its residents as well (however, it was notably not a paradise for the Indian girls who were sent there during the Convent's time as a school, nor was it able to be a paradise for the embezzler who built it). Gigi seeks a pair of entwined trees that she believes can provide an unimaginable ecstasy. Mavis gets lost on her way to California. Likewise, women usually arrive at the Convent by accident in search of paradise. The families who started Haven, as well as the families who later on continued the project of Haven in Ruby, sought a kind of isolated and self-sufficient idyll away from the racism of the outside world. “I approached the challenges and opportunities facing our industry the way we have worked as an association: with honesty, data, openness, and most especially, with respect for the journalists who cover our industry.As its title suggests, the novel finds its heart in the attempts by various groups to find a kind of paradise. “It has been a tremendous privilege to serve as the voice of an industry that I truly love,” Corcoran said. We wish him the best in his next chapter.” “He has served our organization and the entire exhibition industry with skill and dedication, and we are grateful for all that he has done to drive the way NATO tells its story. “Patrick has been an integral part of NATO’s growth over the past two and a half decades,” said O’Leary. In 2011, he was promoted to his most recent role running communications and serving as NATO’s vice president. In 2007, he was named director of media and research, as well as the organization’s California operations chief. He also had to deal with fractious theater owners, all while helping to launch NATO’s annual exhibition business conference, CinemaCon.Ĭorcoran, who came from journalism, joined NATO as a writer and editor of its monthly magazine and annual encyclopedia in 1998. Through it all, Corcoran, a wry, unflappable presence labored to argue that movie theaters were not in a death spiral and would continue to attract customers, just as they had for more than a century. His tenure overlapped with tectonic changes in the theatrical landscape, from consolidation of major chains to the rise of streaming to a public health crisis in COVID that led to the closure of cinemas for months. It’s a time of transition at NATO, with Michael O’Leary taking over as president and CEO from John Fithian, who ran the organization for decades.Ĭorcoran worked closely with Fithian, helping to manage the group’s public relations outreach. Patrick Corcoran is stepping down from the National Association of Theatre Owners, ending a 24-year run that most recently saw him serve as vice president and chief communications officer of the exhibition industry lobbying organization.
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